Tuesday, February 3, 2009

1,000 journals project.




about: The 1000 Journals Project is an ongoing collaborative experiment attempting to follow 1000 journals throughout their travels. The goal is to provide a method for interaction and shared creativity among friends and strangers.

This weekend we saw the 1,000 journals exhibit at the museum of modern art in San Francisco... I was taken aback by people's creativity and depth. Page topics ranged from political statements to personal expressions to marked up term papers & shopping lists. If you are in the area it's definitely worth seeing.

www.1000journals.com

::::


this weekend I shirked responsibilities & traveled to San Francisco with my family, had a whirlwind & wonderful time...

... on this most monday feeling of mondays I am cheerful about:
sarah, a new bright spot
the color green
finding time to write this morning
curled up sampson warming my feet.
have a wonderful week!

Friday, January 30, 2009

::::


lots of work on my artwork this weekend.
hope it's a good one for you all :)

Thursday, January 29, 2009

still thinking about canada.

ontario's corn fields and cows

from one of Lydia's comments,
Letters to a Young Poet, Rilke.

Whoever looks seriously will find that neither for death, which is difficult, nor for difficult love has any clarification, any solution, any hint of a path been perceived; and for both these tasks, which we carry wrapped up and hand on without opening, there is not general, agreed-upon rule that can be discovered.

But in the same measure in which we begin to test life as individuals, these great Things will come to meet us, the individuals, with greater intimacy.

The claims that the difficult work of love makes upon our development are greater than life, and we, as beginners, are not equal to them.

But if we nevertheless endure and take this love upon us as burden and apprenticeship, instead of losing ourselves in the whole easy and frivolous game behind which people have hidden from the most solemn solemnity of their being, - then a small advance and a lightening will perhaps be perceptible to those who come long after us. That would be much.



Wednesday, January 28, 2009

the other half of summer - dorset, canada.


::::

AT THE RIVER
by Louise Gluck

One night that summer my mother decided it was time to tell me about
what she referred to as pleasure, though you could see she felt
some sort of unease about this ceremony, which she tried to cover up
by first taking my hand, as though somebody in the family had just died—
she went on holding my hand as she made her speech
which was more like a speech about mechanical engineering
than a conversation about pleasure. In her other hand
she had a book from which, apparently, she’d taken the main facts.
She did the same thing with the others, my two brothers and sister,
and the book was always the same book, dark blue,
though we each got our own copy.


There was a line drawing on the cover
showing a man and woman holding hands
but standing fairly far apart, like people on two sides of a dirt road.

Obviously, she and my father did not have a language for what they did
which, from what I could judge, wasn’t pleasure.
At the same time, whatever holds human beings together
could hardly resemble those cool black-and-white diagrams, which suggested,
among other things, that you could only achieve pleasure
with a person of the opposite sex,
so you didn’t get two sockets, say, and no plug.

School wasn’t in session.
I went back to my room and shut the door
and my mother went into the kitchen
where my father was pouring glasses of wine for himself and his invisible guest
who—surprise—doesn’t appear.

No, it’s just my father and his friend the Holy Ghost
partying the night away until the bottle runs out,
after which my father continues sitting at the table
with an open book in front of him.

Tactfully, so as not to embarrass the Spirit,
my father handled all the glasses,
first his own, then the other, back and forth like every other night.

By then, I was out of the house.
It was summer; my friends used to meet at the river.
The whole thing seemed a grave embarrassment
although the truth was that, except for the boys, maybe we didn’t understand
mechanics.

The boys had the key right in front of them, in their hands if they wanted,
and many of them said they’d already used it,
though once one boy said this, the others said it too,
and of course people had older brothers and sisters.

We sat at the edge of the river discussing parents in general
and sex in particular. And a lot of information got shared,
and of course the subject was unfailingly interesting.
I showed people my book, Ideal Marriage—we all had a good laugh over it.

One night a boy brought a bottle of wine and we passed it around for a while.

More and more that summer we understood
that something was going to happen to us
that would change us.
And the group, all of us who used to meet this way,
the group would shatter, like a shell that falls away
so the bird can emerge.
Only of course it would be two birds emerging, pairs of birds.

We sat in the reeds at the edge of the river
throwing small stones. When the stones hit,
you could see the stars multiply for a second, little explosions of light
flashing and going out. There was a boy I was beginning to like,
not to speak to but to watch.
I liked to sit behind him to study the back of his neck.

And after a while we’d all get up together and walk back through the dark
to the village. Above the field, the sky was clear,
stars everywhere, like in the river, though these were the real stars,
even the dead ones were real.

But the ones in the river—
they were like having some idea that explodes suddenly into a thousand ideas,
not real, maybe, but somehow more lifelike.

When I got home, my mother was asleep, my father was still at the table,
reading his book. And I said, Did your friend go away?
And he looked at me intently for a while,
then he said, Your mother and I used to drink a glass of wine together
after dinner.

Tuesday, January 27, 2009

::::


old photo taken with my even older canon-
half busted not to be trusted relic from 2005.

from the bottom up.


my take on shepard fairey

he's a layman's artist...
arrested 14 times- usually
disseminates his startling, hip images via the street and lackluster (cynical) hope for viral mass appeal. "absurdist propaganda" is his mo. he created the hope image without any affiliation with obama's campaign... obama's savvy design people caught it quickly and asked him for a slight redesign.

and an iconic image was born ;)

fairey on this image: "this is an iconic, confident image that isn't just about pandering to the lowest common denominator."

Monday, January 26, 2009

one more:

when I lived in Spain my friends & I would hold "mullet spotting" contests.

it was all fun and games until my friend dated one of them (see photo).

after a month and a half I finally got up the nerve to ask this foreign man
for a chance to give his hair a glory tug.

my friend still brings it up, calling me the "bane" of her "zaragozan romance."

It was so worth it.

things to be cheerful about:


  • crisp boyfriend-sweater-weather.

  • mum & pops visiting this weekend and our pending san francisco trip.

  • steaming lemon tea w/dab of honey.

  • sampson’s day of primping & pawing .

  • new loves and old loves and all the loves in between.

Friday, January 23, 2009

friday!

laguna beach

i carry your heart -

i carry your heart with me (i carry it in
my heart) i am never without it (anywhere
i go you go, my dear; and whatever is done
by only me is your doing, my darling)
i fear
not fate (for you are my fate,my sweet) i want
no world (for beautiful you are my world,my true)
and it's you are whatever a moon has always meant
and whatever a sun will always sing is you

here is the deepest secret nobody knows
(here is the root of the root and the bud of the bud
and the sky of the sky of a tree called life; which grows
higher than soul can hope or mind can hide)
and this is the wonder that's keeping the stars apart

i carry your heart (i carry it in my heart)

ee cummings

have an incredible weekend!

Thursday, January 22, 2009

thurzzzday

silverlake.

one more obama post.

Elizabeth Alexander's "praise song" written for Obama's inauguration.


Each day we go about our business, walking past each other, catching each others’ eyes or not, about to speak or speaking. All about us is noise. All about us is noise and bramble, thorn and din, each one of our ancestors on our tongues. Someone is stitching up a hem, darning a hole in a uniform, patching a tire, repairing the things in need of repair.

Someone is trying to make music somewhere with a pair of wooden spoons on an oil drum with cello, boom box, harmonica, voice.

A woman and her son wait for the bus.

ALEXANDER: A farmer consider the changing sky; A teacher says, “Take out your pencils. Begin.”

We encounter each other in words, Words spiny or smooth, whispered or declaimed; Words to consider, reconsider.

We cross dirt roads and highways that mark the will of someone and then others who said, “I need to see what’s on the other side; I know there’s something better down the road.”

We need to find a place where we are safe; We walk into that which we cannot yet see.

Say it plain, that many have died for this day. Sing the names of the dead who brought us here, who laid the train tracks, raised the bridges, picked the cotton and the lettuce, built brick by brick the glittering edifices they would then keep clean and work inside of.

Praise song for struggle; praise song for the day. Praise song for every hand-lettered sign; The figuring it out at kitchen tables.

Some live by “Love thy neighbor as thy self.”

Others by first do no harm, or take no more than you need.

What if the mightiest word is love, love beyond marital, filial, national. Love that casts a widening pool of light. Love with no need to preempt grievance.

In today’s sharp sparkle, this winter air, anything can be made, any sentence begun.

On the brink, on the brim, on the cusp -- praise song for walking forward in that light.

Wednesday, January 21, 2009

"We're All Gonna Die - 100 meters of existence"


Simon Hosberg.


I, too, sing America.


I, too, sing America.

I am the darker brother.
They send me to eat in the kitchen
When company comes,
But I laugh,
And eat well,
And grow strong.

Tomorrow,
I'll be at the table
When company comes.
Nobody'll dare
Say to me,
"Eat in the kitchen,"
Then.

Besides,
They'll see how beautiful I am
And be ashamed--

I, too, am America.


Langston Hughes.
 
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